Gaja Vittoria stands out for her clear and distinctive artistic identity: a musical journey spanning early and contemporary repertoire, interweaving performance, musicological research, and the advocacy of rarely performed works, with a particular commitment to the rediscovery and promotion of women composers.

  • LaPlatea

    “Pellizzari demonstrates a solid technique, a homogeneous centre and a colour with great personality. [...] The singer, despite her very young age, manages to display an interesting palette of nuances without ever slipping into stereotype”

  • Online Musik Magazin

    “Pellizzari shines in Elena’s final rondò from Rossini’s La donna del lago with an incredibly agile voice, which descends effortlessly into rich lower notes and then seemingly floats into astonishingly high registers. She delivers the coloratura passages with power and precision. A great career in the Belcanto repertoire undoubtedly lies ahead of her.”

  • Rivista Musica

    “Gaja Pellizzari’s Aminta literally captivated the packed audience. The mezzo-soprano possesses a rich, velvety voice, employed with both flexible control and dazzling virtuosity - as demonstrated in the famous storm aria Siam navi all’onde algenti, delivered with remarkable ease, and in Son qual per mare ignoto, which showcased her impressive expressive range.”

  • Opera Click

    “The performer who proved most convincing for the solidity of her technique and the strength of her interpretative personality was Gaja Pellizzari in the role of Aminta. She rose confidently to the challenge of her character’s treacherous virtuoso arias, dispatching them all with intelligence and emerging with distinction.”